Dover Quartet

The Dover Quartet and baritone Jarrett Ott perform Samuel Barber’s Dover Beach, Op. 3, the quartet’s namesake, in 2014.

The Dover Quartet plays Samuel Barber’s Adagio for Strings in its original form, from the composer’s String Quartet Op. 11.

The quartet’s second album explores works written during World War II by Viktor Ullman, Dmitri Shostakovich, and Simon Laks.

Kennedy Center Composer in Residence Mason Bates and the Dover Quartet delve into From Amber Frozen for string quartet.

The Dover Quartet performs with violinist Janine Jansen and pianist Jean-Yves Thibaudet at Carnegie Hall in 2018.

The ensemble performs Haydn’s String Quartet No. 23 in F Minor, Op. 20, No. 5 while in residence at Northwestern University.

Strings Attached delves into the lives—on- and off-stage—of the four superb musicians who form the Dover Quartet.

The quartet experiments with emerging technologies to explore innovative educational tools and engage audiences around the world.

Find more performances of the Dover Quartet on YouTube

Beethoven: Complete String Quartets

The Dover Quartet launches the first album in its new three-volume complete Beethoven quartet cycle with the six Opus 18 quartets. Often cited as the epitome of the classical string quartet as developed by Haydn and Mozart, the Opus 18 quartets foreshadow Beethoven’s future innovations. This is the Dover Quartet’s third Cedille Records album.

The Dover Quartet unveils the second installment in its Beethoven quartet cycle on Cedille Records. The three-disc set includes the Op. 59 “Razumovsky” Quartets, infused with Russian folk tunes; the graceful “Harp,” Op. 74, named for its plucked string figures; and the intense Op. 95 “Serioso,” a forward-looking experiment. This is the Dover Quartet’s fourth Cedille Records album.

“The Dover performances sparkle and thrill. Their virtuosity is immediately apparent.”
—Only Strings

“Meticulously balanced, technically clean-as-a-whistle and intonationally immaculate…it is their collective sensitivity to mood and atmosphere that leaves a lasting impression.”
—Julian Haylock, The Strad

“The Dover effortlessly tap into the cleverness, wit, and unbridled sense of fun that continue to make these works compelling a quarter millennium after Beethoven’s birth.”
—Zev Kane, WQXR 

If he were alive today and hadn’t lost his hearing yet, Beethoven would find it hard to believe that his quartets could be played with such perfection of execution, such beauty of tone, such nuance of expression, and such keen understanding of his music’s meaning and intent.”
—Jerry Dubins, Fanfare

“In these new recordings, Dover Quartet pulls out all the potential this music has to offer. Their performance is crisp and sharp throughout. In some places, they shed new light on those quartets that have never resonated with me. . . I can’t wait to hear the rest of the Dover Quartet’s Beethoven string quartet cycle.”
—Lou Harris, Third Coast Review

“The Dovers stand out from the pack by playing with utterly perfect intonation, a near-telepathic sense of ensemble, and a lovely balance of passion and clarity…”
—Rick Anderson, CD Hotlist

Encores

A 2021 digital-only release in partnership with Brooklyn Duo, Encores comprises ten movements from beloved string quartets from Mozart to Shostakovich.

The Schumann Quartets

Released in October 2019 on Azica Records, this recording comprises Schumann’s three string quartets. Written in 1842, the three quartets mark the apotheosis of his development as a composer.

Nominated for a 2021 Grammy Award!

“The four musicians of the Dover Quartet unite all the cardinal virtues of modern quartet playing…The quartet’s new Schumann CD is a reference for me. Within the perfect, finely listened-to chamber music set-up, the quartet captivates with the very robust solo approach.”
—Michael Schwalb, WDR 3 Tonart

“Violinists Joel Link and Bryan Lee, violist Milena Pajaro-van de Stadt, and cellist Camden Shaw are a superb match, supremely unified in sound and musical intention. Their warm blend and crisp articulations are both made fully evident in this recording full of ring and clarity, produced by Alan Bise and engineered by the late Bruce Egre.”

—Jarrett Hoffman, ClevelandClassical.com

Voices of Defiance

Voices of Defiance, the Dover Quartet’s second Cedille Records album, presents quartets of passion, hope, and resilience whose beauty defies the horrors that surrounded their creation.

The Dover Quartet delivers an original, deeply felt program of three European composers’ distinctive responses to the destruction and despair of World War II. Czech composer Viktor Ullmann’s powerful String Quartet No. 3, written in the Theresienstadt concentration camp in 1943, draws inspiration from Debussy’s impressionism and Schoenberg’s serialism. The ensemble’s muscular approach to Dmitri Shostakovich’s epic String Quartet No. 2 from 1944 emphasizes its tragic qualities, befitting the album’s theme. A captivating discovery for most listeners, Szymon Laks’s lyrical String Quartet No 3, written in 1945 following his evacuation from Auschwitz and liberation from Dachau, revels in folk melodies from his native Poland in contrasting scenes of heartbreak and ecstasy.

“One of the most powerful new releases to cross my desk.”
—David Allen, New York Times

“Undoubtedly one of the most compelling discs released this year.”
—Barbara Jepson, Wall Street Journal

“Dover Quartet’s technical artistry is a given, but there’s also that chamber quartet ‘X-factor’ that can’t be forced. Undoubtedly, their ensemble synergy is luminous in this recording. These are historic compositions, and this recording is among the most important releases of this or any other year.”
—Lewis J. Whittington, Concertonet.com

“The main work here, the Second Quartet by Shostakovich, is heard in a haunting performance, sending chills down the spine especially in the extremely dreary Romance. I can’t remember any other quartet playing this music like the ‘Dovers’ do.”
—Remy Franck, Pizzicato

Tribute: Dover Quartet Plays Mozart

The Dover Quartet makes its recording debut with an all-Mozart album on Cedille Records honoring the soaring young ensemble’s illustrious teachers and coaches, the Guarneri Quartet.

The Dover’s debut album recalls the Guarneri’s own all-Mozart debut album on RCA Red Seal 50 years ago (1966), which featured Mozart’s final two string quartets—in B-Flat, K. 589, and F, K. 590. The Dover’s album on Cedille adds Mozart’s Quintet in C Minor, K. 406, performed with none other than Michael Tree, the Guarneri’s founding violist and one of the Dover’s most valued mentors.

“This deeply affecting debut disc is a tribute to the renowned Guarneri Quartet…Mozart’s final string quartets, the second and third of his‘Prussian’ three, with their lyrically enhanced cello lines, are performed here with surpassing beauty, a glorious timbral richness governed by what feels a continuous thoughtfulness.”
—Paul Driver, Sunday Times (London)

“This is music-making not of the highest order but of the next order. On a number of occasions, I’ve remarked on how blessed we are to be living in a golden age of string playing. The Dover Quartet now takes that to the next level, platinum.”
—Jerry Dubins, Fanfare

“The Dover Quartet and Michael Tree get more out of this music than I can remember hearing in any previous performance. But they do it not by being different. One never feels that the music is being pushed or pulled to try to make it more exciting or more profound. They know exactly when to take their time…This is glorious music-making and I enjoyed every minute of it.”
—Paul E. Robinson, Musical Toronto

The Strad: March 20, 2024

“…done with sparkle and refinement, along with intonation that would be the envy of any ensemble.”

Chicago Classical Review: January 13, 2024

“If there is a better chamber group than the Dover Quartet playing right now, I have yet to hear them.”

La Presse: November 17, 2021

“From start to finish, everything was absolutely flawless…The Dover Quartet could play anything for us, and we would ask for more. Quartets that play with such technical quality these days can be counted on the fingers of one hand… An amazing, beautiful quartet.”

San Francisco Classical Voice: February 19, 2019

“From the beginning, the evenly balanced ensemble opened up worlds of resonant sonority, immediately wrapping the listeners in such a spell.”

Boston Classical Review: December 6, 2018

“It was easy to hear why this foursome is so lauded. The musicians…are together a rare musical combination of power and beauty, and they play with the sensitivity and authority of great quartets of the past and present.”

Washington Post: October 11, 2018

“Every concert by the Dover Quartet in the Washington area has been extraordinary, if not exquisite.”

Chicago Tribune: October 8, 2015

“The Dover Quartet players have it in them to become the next Guarneri String Quartet—they’re that good. Expert musicianship, razor-sharp ensemble, deep musical feeling and a palpable commitment to communication made their performances satisfying on many levels.”

The Strad: August 30, 2024:

‘Teaching, touring and technology’: the Curtis Institute’s Dover Quartet on the future of string playing

“When Curtis Institute president and CEO Roberto Díaz decided to secure funding for a string quartet of alumni to serve as faculty ensemble-in-residence, he was only partially reviving the school’s vaunted chamber music past. The Curtis Quartet, which formed in 1932, and the Guarneri Quartet are the eminent predecessors of the Dover Quartet – Díaz’s obvious choice to launch the idea.”

Classical Voice North America: January 10, 2024

Quartet Mulled Summit Before Beginning Climb To Beethoven CD Cycle

“The Dover [Quartet] has gone on to distinguish itself internationally with its well-blended sound, comfortable sense of ensemble, and the uncommon intelligence and finesse of its playing.”

Dover Quartet Names Julianne Lee as New Violist.

Classical Music by BBC Music Magazine: January 17, 2022
Dover Quartet listed as one of the greatest string quartets of the last 100 years

The Strad: November 2020 cover story

Dover Quartet on recording Beethoven

BroadwayWorld.com: August 24, 2020

Dover Quartet Begins Complete Beethoven Cycle With Opus 18 Quartets On Cedille Record

Curtis Institute of Music: August 5, 2020

The Dover Quartet Joins the Curtis Institute of Music Faculty as First Penelope P. Watkins Ensemble in Residence

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SEPTEMBER 2024 – LATE JANUARY 2025

PROGRAM I

Mason BATES: From Amber Frozen
MOZART: Quartet in D major, K. 575
-intermission-
TCHAIKOVSKY: Quartet No. 1 in D major, Op. 11

Alternate selections:
MENDELSSOHN: Quartet No. 4 in E minor, Op. 44, No. 2
May be substituted for Tchaikovsky

DVORAK: Quartet in F major, Op. 96 (“American”)
May be substituted for Mozart

PROGRAM II

MOZART: Quartet in D major, K. 575
MENDELSSOHN: Quartet No. 4 in E minor, Op. 44, No. 2
-intermission-
TCHAIKOVSKY: Quartet No. 1 in D major, Op. 11

Alternate selections:
DVORAK: Quartet in F major, Op. 96 (“American”)
May be substituted for Mendelssohn

FEBRUARY 2025 – JUNE 2025

PROGRAM I

Jessie MONTGOMERY: Strum
JANACEK: Quartet No. 1 (“Kreutzer Sonata”)
DVORAK: Quartet in F major, Op. 96 (“American”)
-intermission-
TCHAIKOVSKY: Quartet No. 1 in D major, Op. 11

Alternate selections:
SCHUMANN: Quartet No. 1 in A minor, Op. 41, No. 1
May be substituted for Tchaikovsky

PROGRAM II

DVORAK: Quartet in F major, Op. 96 (“American”)
SCHUMANN: Quartet No. 1 in A minor, Op. 41, No. 1
-intermission-
TCHAIKOVSKY: Quartet No. 1 in D major, Op. 11

SPECIAL COMMISSIONING PROGRAM

JUNE 2024 – AUGUST 2025

The Dover Quartet offers presenters the opportunity to join a consortium of co-commissioners supporting the composition of an original work by American Indian classical composer Jerod Impichchaachaaha’ Tate, as well as a new arrangement by Tate of Pura Fé’s Rattle Songs, originally written for the American Indian female vocal quartet Ulali. The works are intended to be programmed alongside Dvorak’s “American” Quartet. Contact us to learn more about this commissioning opportunity.

Jessie MONTGOMERY: Strum
*Pura Fé: Rattle Songs (arranged for string quartet by Jerod Tate)
*Jerod Impichchaachaaha’ TATE: commissioned work
-intermission-
DVORAK: Quartet in F major, Op. 96 (“American”)
*Commissioned for this program

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Current as of January 2024

SEPTEMBER 2025 – JANUARY 2026

PROGRAM I

Jessie MONTGOMERY: Strum
*Pura Fé: Rattle Songs (arranged for string quartet by Jerod Tate)
*Jerod Impichchaachaaha’ TATE: commissioned work
-intermission-
DVORAK: Quartet in F major, Op. 96 (“American”)

*Commissioned for this program

PROGRAM II

SZYMANOWSKI: Quartet No. 1 in C major, Op. 37
David BRUCE: “The Lick”
-intermission-
HAYDN: Quartet in D major, Op. 20, No. 4, Hob.III:34]

Alternate selections:
DVORAK: Quartet No. 12 in F major, Op. 96 (“American”)
MENDELSSOHN: Quartet No. 6 in F minor, Op. 80
Either Dvorak or Mendelssohn may be substituted for Haydn

Repertoire is subject to change. Programs must be approved by Artist. Contact the Curtis Institute of Music representatives below to confirm programs.

FEBRUARY 2026 – JUNE 2026

PROGRAM I

Jessie MONTGOMERY: Strum
*Pura Fé: Rattle Songs (arranged for string quartet by Jerod Tate)
*Jerod Impichchaachaaha’ TATE: commissioned work
-intermission-
DVORAK: Quartet in F major, Op. 96 (“American”)
*Commissioned for this program

PROGRAM II

SCHUBERT: Quartet No. 11 in E major, D. 353
Grazyna BACEWICZ: Quartet No. 4
-intermission-
BARTÓK: Quartet No. 5, Sz. 102

Alternate selections:
DVORÁK: Quartet No. 12 in F major, Op. 96 (“American”)
MENDELSSOHN: Quartet No. 6 in F minor, Op. 80
Either Dvorák or Mendelssohn may be substituted for Bartók

Repertoire is subject to change. Programs must be approved by Artist. Contact the Curtis Institute of Music representatives below to confirm programs.

Dover Quartet
arx duo
Natalie Christa, narrator

A theatrical musical work by GRAMMY® Award-winning composer Steven Mackey, Memoir explores the tumultuous 20th century as told through the eyes of a first-generation American woman charting her own path in search of the American Dream.

Repertoire includes:

Neikrug: Piano Quintet No. 2
Brahms: Piano Quintet in F minor, Op. 34

Marc Neikrug’s Piano Quintet No. 2, subtitled “In Six Parts,” is written for the Dover Quartet and Haochen Zhang. Designed to highlight the virtuosity of each individual musician, the work explores extreme emotions through varying episodes for the full quintet and smaller combinations of instruments. The piece is commissioned by Music Accord, Inc., and Chamber Music in Napa Valley.

Available in the 2024-25 season

Repertoire to include:
Hamelin: Piano Quintet
Additional quintets may be available

After an acclaimed world premiere performance of Hamelin’s own Piano Quintet at La Jolla Music Society SummerFest in 2022, the Dover Quartet and Hamelin bring the work back for a collaborative tour in the 2024-25 season. Both a pianist and composer, Hamelin is celebrated as “a performer of near-superhuman technical prowess” (The New York Times).

Repertoire offerings include:

Andy Akiho: LIgNEouS Suite
Additional works by Samuel Adams and Gabriella Smith

Praised for his “unfailing virtuosity” (Chicago Tribune), percussionist Ian Rosenbaum – a member of Sandbox Percussion – teams up with the Dover Quartet for collaborative performances, including Andy Akiho’s LIgNEouS Suite, for which their commercial recording was nominated for a Grammy Award.