Curtis on Tour in Lewes, DE

A violist of international reputation, Roberto Díaz is president and CEO of the Curtis Institute of Music, following in the footsteps of renowned soloist/directors such as Josef Hofmann, Efrem Zimbalist, and Rudolf Serkin. As a teacher of viola at Curtis and former principal viola of the Philadelphia Orchestra, Mr. Díaz has already had a significant impact on American musical life and continues to do so in his dual roles as performer and educator.

As a soloist, Mr. Díaz collaborates with leading conductors of our time on stages throughout North and South America, Europe, and Asia.  He has also worked directly with important 20th- and 21st-century composers, including Krzysztof Penderecki—whose viola concerto he has performed many times with the composer on the podium and whose double concerto he premiered in the United States—as well as Edison Denisov, Jennifer Higdon, Ricardo Lorenz, and Roberto Sierra. His recording of Jennifer Higdon’s Viola Concerto won the Grammy for Best Contemporary Classical Composition in 2018.

As a frequent recitalist, Mr. Díaz enjoys collaborating with young pianists, bringing a fresh approach to the repertoire and providing invaluable opportunities to artists at the beginnings of their careers. In addition to performing with major string quartets and pianists in chamber music series and festivals worldwide, Mr. Díaz has toured Europe, Asia, and the Americas as a member of the Díaz Trio with violinist Andrés Cárdenes and cellist Andrés Díaz. The Díaz Trio has recorded for the Artek and Dorian labels.

Mr. Díaz’s recordings on the Naxos label with pianist Robert Koenig include the complete works for viola and piano by Henri Vieuxtemps and a Grammy-nominated disc of viola transcriptions by William Primrose. Also on Naxos are Brahms sonatas with pianist Jeremy Denk and Jonathan Leshnoff’s Double Concerto with violinist Charles Wetherbee and the Iris Chamber Orchestra led by Michael Stern. Mr. Díaz’s live performance of Jacob Druckman’s Viola Concerto with Wolfgang Sawallisch and the Philadelphia Orchestra is available on New World Records. He has also recorded the Walton Viola Concerto with William Boughton and the New Haven Symphony for Nimbus Records, and works for viola and orchestra by Peter Lieberson with Scott Yoo and the Odense Symphony Orchestra and for Bridge Records.

Since founding Curtis on Tour in 2007, Mr. Díaz has taken this successful initiative to North and South America, Europe, and Asia, performing chamber music side-by-side with Curtis students and other faculty and alumni of the school. His tenure as president of Curtis has also seen the construction of a significant new building which doubled the size of the school’s campus; the introduction of a classical guitar department and new conducting and string quartet programs; and the launch of Curtis Summerfest, summer courses open to the public. In the fall of 2013 Curtis became the first classical music conservatory to offer free online classes through Coursera.

Also under Mr. Díaz’s leadership, Curtis has developed lasting collaborations with other music and arts institutions in Philadelphia and throughout the world and established a dynamic social entrepreneurship curriculum, supported by a prestigious Advancement Grant from The Pew Center for Arts & Heritage. Designed to develop the entrepreneurial and advocacy skills of young musicians, this curriculum includes the project-based Community Artist Program (CAP) and the post-graduate Community Artist Fellowship program, which gives recent Curtis graduates the opportunity to dedicate a year of arts-based service to the community.

Mr. Díaz received an honorary doctorate from Bowdoin College and was awarded an honorary membership by the National Board of the American Viola Society. In 2013 he became a member of the prestigious American Philosophical Society founded by Benjamin Franklin. As a member of the Philadelphia Orchestra, he was selected by then-music director Christoph Eschenbach to receive the C. Hartman Kuhn Award, given annually to “the member of the Philadelphia Orchestra who has shown ability and enterprise of such character as to enhance the standards and the reputation of the Philadelphia Orchestra.” He received a bachelor’s degree from the New England Conservatory of Music, where he studied with Burton Fine; and a diploma from the Curtis Institute of Music, where his teacher was his predecessor at the Philadelphia Orchestra, Joseph de Pasquale. Mr. Díaz also holds a degree in industrial design.

In addition to his decade-long tenure as principal viola of the Philadelphia Orchestra, where he performed the entire standard viola concerto repertoire and gave a number of Philadelphia Orchestra premieres, Mr.  Díaz was principal viola of the National Symphony under Mstislav Rostropovich, a member of the Boston Symphony under Seiji Ozawa, and a member of the Minnesota Orchestra under Sir Neville Marriner. He plays the ex-Primrose Amati viola.

Peter Wiley, a 1974 graduate of the Curtis Institute of Music, has played at leading festivals including the Marlboro Music Festival, for which he also tours and records. As a recitalist he has appeared at the Metropolitan Museum of Art and Lincoln Center’s Alice Tully Hall. A member of the Beaux Arts Trio from 1987 to 1998, Mr. Wiley also succeeded his teacher, David Soyer, as cellist of the Guarneri String Quartet from 2001 to 2009. He is a member of the piano quartet Opus One, with Curtis faculty members Ida Kavafian and Steven Tenenbom and pianist Anne-Marie McDermott.

Mr. Wiley entered Curtis at age thirteen. At twenty he was named principal cello of the Cincinnati Symphony, after one year with the Pittsburgh Symphony. He made his concerto debut at Carnegie Hall in 1986 with the New York String Orchestra conducted by Alexander Schneider.

A past recipient of an Avery Fisher Career Grant, Mr. Wiley joined the faculty of the Curtis Institute of Music in 1996. He also teaches at Bard College Conservatory of Music.

Named for the Erinyes (a.k.a. the Furies) from the Greek tragedy Oresteia by Aeschylus, and with roots in Estonia, Lithuania, Greece, the United States, and Finland, the Erinys Quartet was founded in 2018 at the Sibelius Academy in Helsinki, where they worked closely with cellist Marko Ylönen. Since the autumn of 2023, they have been the Nina von Maltzahn String Quartet-in-Residence at the Curtis Institute of Music.

In the 2024-25 season, the Erinys Quartet performs throughout Europe and the United States, with concerts in Greece, Hungary, Germany, Spain, the United Kingdom, New York, New Jersey, Connecticut, Rhode Island, Pennsylvania, Delaware, Virginia, Florida, Minnesota, Colorado, New Mexico, and California. They have also been featured in festivals and concert series such as the Mimir Chamber Music Festival in Fort Worth, Texas, Festival Groba in Ponteareas, Spain, the inaugural Dover Quartet Workshop at the Curtis Institute, as well as the Professional String Quartet Seminar with the Pacifica Quartet and Atar Arad (Cleveland Quartet) at Indiana University.

Since 2021, the Erinys Quartet has been supported by Le Dimore del Quartetto, where they are also a part of the European Union-sponsored MERITA platform. In addition to their studies at the Curtis Institute, the members of the Erinys Quartet are pursuing a diploma in chamber music at Escuela Superior de Música Reina Sofía in Madrid, Spain, under the tutelage of Günter Pichler (Alban Berg Quartett).

In 2023, the Erinys Quartet was awarded the Audience Prize Award of the City of Bad Tölz during the Bad Tölz International String Quartet Competition, the Esterházy Foundation Special Prize for best interpretation of a Haydn string quartet and were awarded the Bronze Medal Prize in the 2024 Fischoff Competition.

Learn more about the Erinys Quartet.