Prince of Clouds
2 Violins & String Orchestra
Anna Clyne
About
When writing Prince of Clouds I was contemplating the presence of musical lineage—a family-tree of sorts that passes from generation to generation. This transfer of knowledge and inspiration between generations is a beautiful gift. Composed specifically for Jennifer Koh and her mentor at the Curtis Institute of Music, Jaime Laredo, this thread was in the foreground of my imagination as a dialogue between the soloists and ensemble. As a composer, working with such virtuosic, passionate and unique musicians is also another branch of this musical chain.
Prince of Clouds was co-commissioned by the Chicago Symphony Orchestra, IRIS Orchestra, Los Angeles Chamber Orchestra and the Curtis Institute of Music. It will be premiered in November 2012 at the Germantown Performing Arts Center, TN with conductor Michael Stern, and subsequent performances at Orchestra Hall at Symphony Center, IL with conductor Harry Bicket; Royce Hall, Los Angeles with conductor Jeffrey Kahane; and the New York Premiere at Miller Theater.
Prince of Clouds was composed at the Hermitage Artist Retreat in Summer 2012.
Performance
Anna Clyne |
Prince of Clouds |
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Duration
13:30 |
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Commissioning Year
2012 |
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Premiere
November 3, 2012 Germantown Performing Arts Center, Germantown, TN |
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Recording
March 12, 2013 Curtis Institute of Music [Album Recording] |
Artists
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Anna Clyne Composition
Described as a “composer of uncommon gifts and unusual methods” by the New York Times and as “fearless” by NPR, GRAMMY-nominated Anna Clyne is one of the most in-demand composers today, working with orchestras, choreographers, filmmakers, and visual artists around the world. Clyne was named by Bachtrack as one of the top ten most performed contemporary composers in the world and the most performed living female British composer in both 2022 and 2023.
Clyne has been commissioned and presented by the world’s most dynamic and revered arts institutions, including the Barbican, Carnegie Hall, Kennedy Center, Los Angeles Philharmonic, MoMA, Philharmonie de Paris, Royal Concertgebouw Orchestra, San Francisco Ballet, and the Sydney Opera House; and her music has opened such events as the Edinburgh International Festival, The Last Night of the Proms, and the New York Philharmonic’s season. The World Economic Forum commissioned Clyne’s Restless Oceans, which was premiered by an all-women orchestra, led by Marin Alsop, at the opening ceremony in Davos.
Clyne often collaborates on creative projects across the music industry, including Between the Rooms, a film with choreographer Kim Brandstrup and LA Opera, as well as The Nico Project at the Manchester International Festival, a stage work about pop icon Nico’s life that featured Clyne’s reimagining of The Marble Index for orchestra and voices. Clyne has also reimagined tracks from Thievery Corporation’s The Cosmic Game for the electronica duo with orchestra, and her music has been programmed by such artists as Björk. Other recent collaborators include such notable musicians as Jess Gillam, Jeremy Denk, Martin Fröst, Pekka Kuusisto, and Yo-Yo Ma.
Clyne’s works are frequently choreographed for dance, with recent projects including the world premiere of choreographer Pam Tanowitz’s dance set to Breathing Statues for the Royal Ballet in London and performances of DANCE by the San Francisco Ballet with choreography by Nicolas Blanc. Her fascination with visual art has inspired several projects including ATLAS, inspired by a portfolio of work by Gerhard Richter; Color Field, inspired by the artwork of Mark Rothko; and Abstractions, inspired by five contemporary paintings.
In addition, Clyne seeks innovation through new technology, developing the Augmented Orchestra with sound designer Jody Elff; the technology expands the sound-world of the orchestra through computer-controlled processes. The Augmented Orchestra was premiered in Wild Geese at the 2023 Cabrillo Festival, featured in The Gorgeous Nothings at the BBC Proms 2024 and will be used in her new work PALETTE to premiere in February 2025 with the St Louis Symphony Orchestra.
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Ensemble 20/21
Ensemble 20/21’s repertoire features works from the 20th and 21st centuries. With bold collaborations and striking productions, Ensemble 20/21 embraces the cutting edge of contemporary classical music through the highest level of artistry.
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Jennifer Koh Violin
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Jaime Laredo Violin
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Vinay Parameswaran Conductor
Internationally recognised for his energetic presence, imaginative programming, and compelling musicianship, Vinay Parameswaran (Conducting ’15) is one of the most exciting and versatile young conductors on the podium today.
Prior to his time with the Cleveland Orchestra, Parameswaran was the Associate Conductor of the Nashville Symphony for three seasons and led over 150 performances, which included his subscription debut with the Orchestra in 2016/17, conducting works by Gabriella Smith, Grieg, and Prokofiev. Other highlights have included debuts with the Pittsburgh Symphony, Detroit Symphony, National Symphony Orchestra, Louisville Orchestra, North Carolina Symphony, Grant Park Orchestra, Milwaukee Symphony, and Jacksonville Symphony.
Equally at home in symphonic and operatic repertoire, and in the recording studio, Parameswaran has led performances of Mozart’s The Magic Flute and Donizetti’s The Elixir of Love with Curtis Opera Theater. In Cleveland, he has assisted Franz Welser-Möst on productions of Verdi’s Otello, Janáček’s The Cunning Little Vixen, Wagner’s Tristan und Isolde and Strauss’ Ariadne auf Naxos. With the Curtis Ensemble 20/21 and violinists Jaime Laredo and Jennifer Koh, Parameswaran recorded the album Two x Four, featuring works by Bach, David Ludwig, Philip Glass, and Anna Clyne. In 2020/21, Parameswaran recorded a selection of concerts with the Cleveland Orchestra for the Orchestra’s digital streaming platform.
Parameswaran was a Conducting Fellow at the Tanglewood Music Center, and has participated in conducting masterclasses with David Zinman at the National Arts Centre Orchestra in Ottawa, as well as with Marin Alsop and Gustav Meier at the Cabrillo Festival of Contemporary Music. Parameswaran was a recipient of a Career Assistance Award by the Solti Foundation U.S. in May 2021.
A native of the San Francisco Bay Area, Parameswaran graduated with honours from Brown University with a Bachelor of Arts in music and political science. At Brown, he began his conducting studies with Paul Phillips. He received an Artist Diploma in conducting from the Curtis Institute of Music, where he studied with renowned pedagogue Otto-Werner Mueller as the Albert M. Greenfield Fellow.
100 for 100
100 for 100 celebrates contemporary music with a showcase of bold, original compositions and fresh perspectives.