Tuba Concerto

Solo Tuba & Orchestra

Jennifer Higdon

About

Jennifer Higdon composed her Tuba Concerto in 2017 on a joint commission from the Pittsburgh Symphony Orchestra, Royal Scottish National Orchestra and Curtis Institute of Music for Craig Knox, Principal Tuba of the PSO, where he holds the Dr. Mary Ann Craig Chair. Mr. Knox has kindly provided the following background for the Concerto’s premiere:

“Jennifer Higdon and I first met when we were in school at the Curtis Institute of Music, in Philadelphia, in the late 1980s. There are only about 150 students in the school, so everybody knew everybody. Although I was aware that she was studying composition, I don’t think I ever heard any of her music until years after we graduated. I watched with interest as her career developed, and had many occasions to play her music in orchestras I performed with across the country. I came to expect that her music would always have an interesting and challenging tuba part, which is not the case with all composers. I had the chance to reconnect with her from time to time, when she would come to hear her performances; she was in Pittsburgh frequently during my first year in the PSO when she was our Composer of the Year. And so when the PSO offered to commission a new Tuba Concerto, she was one of the first people I thought of, knowing that she seemed to take an earnest interest in the instrument.

By the time we started talking about the new Concerto, we were also both on the faculty at the Curtis Institute, so it was fairly easy to meet and discuss the project. I appreciated very much her willingness to consider the range of possibilities for the piece, including the strengths and challenges of the instrument, and the way it has been utilized by other composers. She asked for a repertoire list of orchestral pieces with notable tuba parts and familiarized herself with the existing solo repertoire. I particularly enjoyed the opportunity to preview preliminary sketches for the piece, which she shared with me and asked me to play for her to make sure they worked as she imagined.

It was a thrill to receive the final draft of the new concerto and begin preparing it. The dazzling opening movement is filled with technical passages that I hope may surprise most listeners. The centerpiece of the work, in my opinion, is the lengthy second movement. One of my favorite aspects of the tuba is the way the instrument can emulate the bass voice, and I’m so pleased to have the March 16-18, 2018, page 3 opportunity to display that characteristic in this very lyrical and expressive movement. The piece finishes with a driving, rhythmic finale.

The tuba was one of the last acoustic instruments to be invented and added to the standard symphony orchestra, around 1830. When I was a student, there was essentially one concerto for tuba, by Ralph Vaughan Williams. Since then, more have been added, but the list of substantial pieces by major composers is still quite small. Through this whole process, I’ve been very aware of what a special opportunity it is for me to be part not only of the development of a new piece, but also of the history of the instrument itself.”

Performance

Jennifer Higdon Tuba Concerto
I. Dynamo
II. Crescent Line
III. Adamant Scherzo
  Duration
20:00
  Commissioning Year
2017
  Premiere
March 16, 2018
Pittsburgh, PA
  Recording
January 27, 2019
Verizon Hall, Kimmel Center, Philadelphia, PA

Artists

  • Jennifer Higdon Composition

    Jennifer Higdon is one of America’s most acclaimed and most frequently performed living composers. She is a major figure in contemporary Classical music, receiving the 2010 Pulitzer Prize in Music for her Violin Concerto, a 2010 Grammy for her Percussion Concerto, a 2018 Grammy for her Viola Concerto and a 2020 Grammy for her Harp Concerto. In 2018, Higdon received the Nemmers Prize from Northwestern University which is given to contemporary classical composers of exceptional achievement who have significantly influenced the field of composition. Most recently, the recording of Higdon’s Percussion Concerto was inducted into the Library of Congress National Recording Registry. Higdon enjoys several hundred performances a year of her works, and blue cathedral is today’s most performed contemporary orchestral work, with more than 600 performances worldwide. Her works have been recorded on more than seventy CDs. Higdon’s first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere and the opera recording was nominated for 2 Grammy awards. Her music is published exclusively by Lawdon Press.

  • Curtis Symphony Orchestra

    Acclaimed for its “otherworldly ensemble and professional level of sophistication” (New York Times), the Curtis Symphony Orchestra offers a dynamic showcase of tomorrow’s exceptional young talent. Each year the 100 extraordinary musicians of the orchestra work with internationally renowned conductors, including Osmo Vänskä, Vladimir Jurowski, Marin Alsop, Simon Rattle, Robert Spano, and Yannick Nézet Séguin, who also mentors the early-career conductors who hold Rita E. Hauser Conducting Fellowships. This professional training has enabled Curtis alumni to assume prominent positions in America’s leading orchestras, as well as esteemed orchestral, opera, and chamber ensembles around the world.

  • Craig Knox Tuba

    Principal tuba of the Pittsburgh Symphony Orchestra since 2005, Craig Knox was previously acting principal tuba of the San Francisco Symphony and principal tuba of the Sacramento Symphony. He has performed with the orchestras of Philadelphia, Chicago, Cleveland, Minnesota, Detroit, and Seattle, as well as the Orchestre de la Suisse Romande.

    As a soloist, Mr. Knox premiered Jennifer Higdon’s Tuba Concerto and André Previn’s Triple Concerto for trumpet, horn, and tuba, both with the Pittsburgh Symphony Orchestra. He has also appeared as a soloist with the U.S. Army Band “Pershing’s Own” and the Tokyo Symphony Orchestra, and has toured with the Empire Brass. He is co-founder of the Center City Brass Quintet, which has made six recordings for the Chandos and Cryston labels. He has made recordings for Naxos with the Chicago Chamber Musicians Brass Quintet and for the Albany label with the Pittsburgh Symphony Orchestra low brass section; and has recorded a solo album, A Road Less Traveled.

    Mr. Knox graduated from the Curtis Institute of Music, where he studied with Paul Krzywicki. His previous teachers included Samuel Pilafian, Chester Schmitz, and Gary Ofenloch. He joined the tuba faculty of the Curtis Institute of Music in 2014. He also teaches at Carnegie Mellon University and has presented master classes, seminars, and recitals worldwide.

  • Mark Russell Smith Conductor

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