From the Rubáiyát of Omar Khayyam

l'Histoire Septet

David Ludwig

About

A few years ago I chanced upon some quotes my friend Sara Goudarzi had on her website that really moved me. Perhaps I had recognized them unconsciously, because they were quatrains by the great Persian poet Omar Khayyám, and I had been spending the year deeply immersed in the music of Central Asia. The quatrains themselves were translated—quite loosely, as it turns out—by the 19th Century English poet Edward Fitzgerald, who published the famous Rubáiyát of Omar Khayyám. Like many good translations, Fitzgerald’s work is poetry in itself, and, if it perhaps does not catch the letter, I think it catches the spirit of Khayyám.

I knew then that I wanted to someday set the poetry for songs when I next had the right opportunity, which finally happened four years later with the commission to write a piece for Curtis on Tour. I asked Ms. Goudarzi, to select Khayyám’s quatrains into a collection that I could set for a song cycle. Goudarzi, who is an accomplished writer, and reciter of Persian poetry, herself, wrote the following about Khayyám:

“Omar Khayyám was an 11th/12th century Persian poet, mathematician, philosopher and astronomer. During his lifetime, he was mostly known for his math and astronomy work. Posthumously, he’s mainly recognized for his Ruba’iyat or quatrains. A Ruba’i is a two line stanzas of Persian poetry. Each line is divided into two, making up a four-lined poem, the first, second and fourth line of which rhyme. More than 1,000 quatrains have been attributed to Khayyám but according to one of the most authoritative editions, edited by Persian prose writer Sadegh Hedayat,only 143 are authentic. In these poems, Khayyám subscribes to nihilism, materialism and living in the moment.”

I was drawn to the idea of writing a piece that could use sounds and a musical language drawn from traditional Persian classical music, but that could be woven into contemporary writing for Western instruments and both classical and popular song. The fifteen selected quatrains form a continuous set that describes the passage of a life and the changing nature of our outlook over time; with moments of sadness and joy along the way.

Performance

David Ludwig From the Rubáiyát of Omar Khayyam
I. Secrets of Creation
II. Turning of Time
III. Labor of Life
IV. Floating Particles
V. Carpe Diem
  Duration
15:00
  Commissioning Year
2008
  Premiere
October 15, 2014
Gould Rehearsal Hall, Curtis Institute of Music, Philadelphia, PA
  Recording
October 15, 2014
Gould Rehearsal Hall, Curtis Institute of Music, Philadelphia, PA

Artists

  • David Ludwig Composition

    David Serkin Ludwig’s first memory was singing Beatles songs with his sister; his second was hearing his grandfather perform at Carnegie Hall; foreshadowing a diverse career collaborating with many of today’s leading musicians, filmmakers, and writers. His choral work “The New Colossus,” opened the private prayer service for President Obama’s second inauguration. The next year NPR Music named him in the world’s “Top 100 Composers Under Forty.” He holds positions and residencies with nearly two dozen orchestras and music festivals in the US and abroad.

    Ludwig has received commissions and notable performances from many of the most recognized artists and ensembles of our time, including the Philadelphia, Pittsburgh, Minnesota, and National Symphony Orchestras, Chamber Music Society of Lincoln Center, the Dresden Music Festival, as well as Jonathan Biss, Jeremy Denk, Jennifer Koh, Jaime Laredo, David Shifrin, eighth blackbird, the Dover and Borromeo Quartets, Imani Winds, and the PRISM Saxophone Quartet and conductors Yannick Nezet Sequin, Manfred Honeck, Juanjo Mena, and JoAnn Falletta.

    This year Ludwig was honored by the American Academy of Arts and Letters as recipient of their annual award in music. In 2022 Ludwig was awarded the Stoeger Prize from the Chamber Music Society of Lincoln Center, the largest of its kind for chamber music. He received the prestigious 2018 Pew Center for the Arts and Heritage Fellowship, as well as the First Music Award, and is a two-time recipient of the Independence Foundation Fellowship, a Theodore Presser Foundation Career Grant, and awards from New Music USA, the American Composers Forum, American Music Center, Detroit Chamber Winds, and the National Endowment for the Arts.

    In 2021 Ludwig was named a Steinway Artist by Steinway and Sons. He served on the composition faculty of The Curtis Institute of Music for nearly two decades before being appointed Dean and Director of Music of The Juilliard School in June 2021. He lives in New York City with his wife, acclaimed violinist Bella Hristova, and their four beloved cats.

  • Elena Perroni Soprano
  • Guangyao Xue Clarinet
  • Emeline Chong Bassoon
  • Tessa Ellis Trumpet
  • Samuel Armstrong Trombone
  • Abigail Fayette Violin
  • Harold Robinson Double Bass
  • Won Suk Lee Percussion
  • Lio Kuokman Piano

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