FIAT LUX

Richard Danielpour has been commissioned by many international artists, including soloists Yo-Yo Ma, Jessye Norman, Dawn Upshaw, Emanuel Ax, Gil Shaham, Frederica von Stade, Thomas Hampson, Anthony McGill, and Gary Graffman; the Guarneri and Emerson string quartets; and the Kalichstein-Laredo-Robinson Trio. He has also received commissions from the New York City, Pacific Northwest, and Nashville ballets; the Philadelphia and Stuttgart Radio Symphony orchestras; the Mariinsky and Vienna chamber orchestras; the New York Philharmonic; Orchestre National de France; the Chamber Music Society of Lincoln Center; and the Santa Fe Chamber Music Festival, among others.

Dr. Danielpour has received a Grammy Award, two Rockefeller Foundation grants, the Berlin Prize Fellowship from the American Academy in Berlin, two awards from the American Academy of Arts and Letters, a Guggenheim Fellowship, and the Joseph H. Bearns Prize in Music from Columbia University.

Recent works include Carnival of the Ancients for piano and orchestra, String Quartet No. 8, and The Passion of Yeshua, a passion oratorio in Hebrew and English.

Dr. Danielpour has recorded for the Naxos and Sony Classical labels. His music is published by Lean Kat Music and Associated Music Publishers.

Dr. Danielpour served on the faculty of the Manhattan School of Music from 1993 to 2017, and has served as professor of music at the Herb Alpert School of Music at UCLA since 2017. He joined the faculty of the Curtis Institute of Music in 1997.

Internationally acclaimed as a violist as well as a violinist, the versatile Ida Kavafian is an artist-member of the Chamber Music Society of Lincoln Center and former violinist of the Beaux Arts Trio. For 34 years she has been artistic director of Music from Angel Fire in New Mexico, where some 200 Curtis students have participated in the Young Artist Program to date. She was a founder of the Bravo! Colorado festival, serving as its artistic director for ten years; and co-founded the chamber ensembles Opus One, Tashi, and Trio Valtorna. She also performs as a soloist and in recital with her sister, violinist Ani Kavafian.

Ms. Kavafian has premiered numerous works, including concertos by Toru Takemitsu and Michael Daugherty, whose Fire and Blood she recorded with the Detroit Symphony. She has toured and recorded with jazz artists Chick Corea and Wynton Marsalis, and with fiddler/composer Mark O’Connor.

Born in Istanbul of Armenian parentage, Ms. Kavafian is a graduate of the Juilliard School, where she studied with Oscar Shumsky. She made her debut through Young Concert Artists with the pianist Peter Serkin, and also received the coveted Avery Fisher Career Grant. She resides with her husband, violist Steven Tenenbom, in Philadelphia and Connecticut, where they breed and train prizewinning Hungarian vizsla show dogs.

Since 1998 Ms. Kavafian has served on the faculty of the Curtis Institute of Music, where she received the 2013 Lindback Foundation Award for Distinguished Teaching. She also teaches at the Juilliard School and the Bard College Conservatory of Music.

Winner of the 2022 Sir Georg Solti Conducting Award, Earl Lee is a renowned Korean-Canadian conductor who has captivated audiences worldwide. Earl is in his second season as Music Director of the Ann Arbor Symphony Orchestra and in his third season as Assistant Conductor of the Boston Symphony Orchestra, which he has led in subscription concerts both at Symphony Hall and Tanglewood.

In addition to a full season of concerts with the Ann Arbor Symphony and subscription concerts with the Boston Symphony in Boston and at Tanglewood, Earl’s 23/24 season includes guest conducting engagements with the Vancouver Symphony, Calgary Philharmonic, Winnipeg Symphony, Colorado Springs Philharmonic, The Florida Orchestra, and the Royal Conservatory Orchestra Toronto. Previous seasons have seen subscription debuts with the San Francisco Symphony, Seoul Philharmonic, Hawaii Symphony, and Edmonton Symphony; leading the Lunar New Year galas of both the New York Philharmonic and San Francisco Symphony; and concerts with the Mostly Mozart Festival Orchestra and with Sejong Soloists in both New York and Seoul.

Earl previously held positions as Associate Conductor of the Pittsburgh Symphony and as the Resident Conductor of the Toronto Symphony. In 2022, he appeared with the Royal Concertgebouw Orchestra Amsterdam as a participant in the Ammodo masterclasses led by Fabio Luisi.

Earl’s 23/24 programs with the Ann Arbor Symphony Orchestra include contemporary works by John Adams, Brian Raphael Nabors, Joan Towers, Gala Flagello, Jessie Montgomery, and Zhou Tian as well as the first installment of a multi-year Beethoven cycle with Symphonies Nos. 2, 5 and 9. He leads the orchestra in its Detroit Orchestra Hall debut in January 2024 in a concert during the Sphinx Organizations’s annual SphinxConnect convention.

In all of his professional activities, Earl seeks ways to connect with fellow musicians and audiences on a personal level. He has taken great pleasure in mentoring young musicians as former Artistic Director and Conductor of the Toronto Symphony Youth Orchestra, and as Music Director of the Pittsburgh Youth Symphony Orchestra and is a regular guest conductor with the orchestras of North America’s top music schools such as Manhattan School of Music, The Juilliard School,  and the New England, San Francisco, and Royal Conservatories.

As a cellist, Earl has performed at festivals such as the Marlboro Music Festival, Music from Angel Fire, Caramoor Rising Stars, and Ravinia’s Steans Institute and has toured as a member of the East Coast Chamber Orchestra (ECCO), with Musicians from Marlboro, and with Gary Burton & Chick Corea as a guest member of the Harlem String Quartet.

Earl was the recipient of the 50th Anniversary Heinz Unger Award from the Ontario Arts Council in 2018, of a Solti Career Assistance Award in 2021 and has been awarded a Felix Mendelssohn Bartholdy Scholarship by Kurt Masur and the Ansbacher Fellowship by the American Austrian Foundation and members of the Vienna Philharmonic. He studied cello at the Curtis Institute of Music and the Juilliard School and conducting at Manhattan School of Music and the New England Conservatory. He lives in New York City with his wife and their daughter.

Acclaimed for its “otherworldly ensemble and professional level of sophistication” (New York Times), the Curtis Symphony Orchestra offers a dynamic showcase of tomorrow’s exceptional young talent. Each year the 100 extraordinary musicians of the orchestra work with internationally renowned conductors, including Osmo Vänskä, Vladimir Jurowski, Marin Alsop, Simon Rattle, Robert Spano, and Yannick Nézet Séguin, who also mentors the early-career conductors who hold Rita E. Hauser Conducting Fellowships. This professional training has enabled Curtis alumni to assume prominent positions in America’s leading orchestras, as well as esteemed orchestral, opera, and chamber ensembles around the world.