Fanfare for Samuel Barber, "Fanfare for Sam"

Orchestra & 3 Celesta Strings

David Ludwig

About

I set out to write Fanfare for Sam as a tribute to Curtis composer Samuel Barber. Barber is a musical hero to me and to so many others that followed in his footsteps (literally) at the school. To think that as both student and faculty he walked the same halls and took classes and lessons in the same rooms is humbling, indeed!

In thinking of the new building at Curtis, I wanted the Fanfare to reflect a contemporary take on musical traditions, which is an idea quite well known to Barber. The music begins out of tuning the “A”—the primal sound of an orchestra, like a prehistoric call to order. This sound grows into an explosive moment where a held Bb emerges from the mass, echoing the first note of theAdagio for Strings. As Barber’s work does, my Fanfare returns to that note as a way to center the music and introduce each section of the piece. (The Adagio serves as a musical jumping off point, providing material for the surface landscape; in other ways the Fanfare lives in great contrast to that poignantly beautiful work.) Following the first held notes are webs of indeterminate patterns and canons with instruments in close imitation, one on top of the other. Romantic melodies and harmonies give way to big crescendos of brass and percussion, as fanfares are wont to do.

Throughout, my goal was to feature each section of the orchestra as a celebration of all of its many colors and sounds. The piece ends on a big C major chord to honor Curtis, where Mr. Barber and I—and many other appreciative composers—have had the privilege to call our musical home.

Performance

David Ludwig Fanfare for Samuel Barber, "Fanfare for Sam"
  Duration
06:00
  Commissioning Year
2011
  Premiere
October 23, 2011
Verizon Hall, Kimmel Center, Philadelphia, PA
  Recording
October 23, 2011
Verizon Hall, Kimmel Center, Philadelphia, PA

Artists

  • David Ludwig Composition

    David Serkin Ludwig’s first memory was singing Beatles songs with his sister; his second was hearing his grandfather perform at Carnegie Hall; foreshadowing a diverse career collaborating with many of today’s leading musicians, filmmakers, and writers. His choral work “The New Colossus,” opened the private prayer service for President Obama’s second inauguration. The next year NPR Music named him in the world’s “Top 100 Composers Under Forty.” He holds positions and residencies with nearly two dozen orchestras and music festivals in the US and abroad.

    Ludwig has received commissions and notable performances from many of the most recognized artists and ensembles of our time, including the Philadelphia, Pittsburgh, Minnesota, and National Symphony Orchestras, Chamber Music Society of Lincoln Center, the Dresden Music Festival, as well as Jonathan Biss, Jeremy Denk, Jennifer Koh, Jaime Laredo, David Shifrin, eighth blackbird, the Dover and Borromeo Quartets, Imani Winds, and the PRISM Saxophone Quartet and conductors Yannick Nezet Sequin, Manfred Honeck, Juanjo Mena, and JoAnn Falletta.

    This year Ludwig was honored by the American Academy of Arts and Letters as recipient of their annual award in music. In 2022 Ludwig was awarded the Stoeger Prize from the Chamber Music Society of Lincoln Center, the largest of its kind for chamber music. He received the prestigious 2018 Pew Center for the Arts and Heritage Fellowship, as well as the First Music Award, and is a two-time recipient of the Independence Foundation Fellowship, a Theodore Presser Foundation Career Grant, and awards from New Music USA, the American Composers Forum, American Music Center, Detroit Chamber Winds, and the National Endowment for the Arts.

    In 2021 Ludwig was named a Steinway Artist by Steinway and Sons. He served on the composition faculty of The Curtis Institute of Music for nearly two decades before being appointed Dean and Director of Music of The Juilliard School in June 2021. He lives in New York City with his wife, acclaimed violinist Bella Hristova, and their four beloved cats.

  • Curtis Symphony Orchestra

    Acclaimed for its “otherworldly ensemble and professional level of sophistication” (New York Times), the Curtis Symphony Orchestra offers a dynamic showcase of tomorrow’s exceptional young talent. Each year the 100 extraordinary musicians of the orchestra work with internationally renowned conductors, including Osmo Vänskä, Vladimir Jurowski, Marin Alsop, Simon Rattle, Robert Spano, and Yannick Nézet Séguin, who also mentors the early-career conductors who hold Rita E. Hauser Conducting Fellowships. This professional training has enabled Curtis alumni to assume prominent positions in America’s leading orchestras, as well as esteemed orchestral, opera, and chamber ensembles around the world.

  • Vinay Parameswaran Conductor

    Internationally recognised for his energetic presence, imaginative programming, and compelling musicianship, Vinay Parameswaran (Conducting ’15) is one of the most exciting and versatile young conductors on the podium today.

    Prior to his time with the Cleveland Orchestra, Parameswaran was the Associate Conductor of the Nashville Symphony for three seasons and led over 150 performances, which included his subscription debut with the Orchestra in 2016/17, conducting works by Gabriella Smith, Grieg, and Prokofiev. Other highlights have included debuts with the Pittsburgh Symphony, Detroit Symphony, National Symphony Orchestra, Louisville Orchestra, North Carolina Symphony, Grant Park Orchestra, Milwaukee Symphony, and Jacksonville Symphony.

    Equally at home in symphonic and operatic repertoire, and in the recording studio, Parameswaran has led performances of Mozart’s The Magic Flute and Donizetti’s The Elixir of Love with Curtis Opera Theater. In Cleveland, he has assisted Franz Welser-Möst on productions of Verdi’s Otello, Janáček’s The Cunning Little Vixen, Wagner’s Tristan und Isolde and Strauss’ Ariadne auf Naxos. With the Curtis Ensemble 20/21 and violinists Jaime Laredo and Jennifer Koh, Parameswaran recorded the album Two x Four, featuring works by Bach, David Ludwig, Philip Glass, and Anna Clyne. In 2020/21, Parameswaran recorded a selection of concerts with the Cleveland Orchestra for the Orchestra’s digital streaming platform.

    Parameswaran was a Conducting Fellow at the Tanglewood Music Center, and has participated in conducting masterclasses with David Zinman at the National Arts Centre Orchestra in Ottawa, as well as with Marin Alsop and Gustav Meier at the Cabrillo Festival of Contemporary Music. Parameswaran was a recipient of a Career Assistance Award by the Solti Foundation U.S. in May 2021.

    A native of the San Francisco Bay Area, Parameswaran graduated with honours from Brown University with a Bachelor of Arts in music and political science.  At Brown, he began his conducting studies with Paul Phillips.  He received an Artist Diploma in conducting from the Curtis Institute of Music, where he studied with renowned pedagogue Otto-Werner Mueller as the Albert M. Greenfield Fellow.

    Learn more about Vinay.

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